First prize: £200 Second prize: £100 Third prize: £50
Closing date: 31st October 2023 £3 per story, or £10 for 4
WE ENCOURAGE ONLINE ENTRY, AVAILABLE HERE
Chief Judge: John Maguire
John Maguire is a writer, playwright, historic walking-tours operator, community activist and Creative Director of ArtsGroupie CIC.
ArtsGroupie aims to make the arts accessible to all. Developing theatre productions, heritage walk tours and creative workshops taking them out to communities in the Northwest. CIC ArtsGroupie’s website https://www.artsgroupie.org/
John has had nine of his plays staged professionally, including KITTY: Queen of the Washhouse, a play that revisited the life of public washhouse pioneer Katherine Wilkinson. Two of his plays opened the Sir Ken Dodd Performance Gardens at Shakespeare North Playhouse in July 2022. The Kitty Wilkinson play about community cohesion and activism sold out St Georges Hall for the sixth time in October 2022 and went on a mini tour in March 2023 to celebrate International Women’s Day, playing Manchester, Liverpool and for three nights at the Kings Head theatre, Islington, London. It has recently played to sell out audiences at the Cockpit Theatre in Shakespeare North and has been performed a total of 28 times. It is set to return in 2024 with plans to take it to Ireland.
He has written over 135 articles for online international magazine Ten Million Hardbacks and two children’s books, Sophie and the Spider and The Liver Bird. (Recently adapted into an interactive outdoor theatre experience for parks).
He project managed the Liverpool’s 2021 Year of Writing with Writing on the Wall 2021-2022, running diverse writing events, workshops, activities across Liverpool and co-ordinating a writing bus tour to low- socio economic areas. There were also commissions and various competitions, for all ages and abilities. A full report can be found here:
https://writingonthewall.org.uk/wp-content/uploads/2022/03/Year-of-Writing-Report.pdf
The creative content throughout the year was also digitally compiled and displayed on arts partners websites and social media platforms using the tag #LiverpoolWrites
John is currently the History Group research lead, working with the Liverpool Irish Festival two days a week on a five year programme to develop assets around the Liverpool Irish Famine Trail. The first year culminated in October 2022 with the publication of a book, REVIVE and a presentation ‘A Research Relay’ by the volunteer team about their work at National Museums, Liverpool.
John is a facilitator with a strong track record of creative engagement and experience in socially engaged practices. He has fifteen years’ experience of facilitating writing workshops in schools and in communities.
As a white Irish, LGBT+, working class, neuro-divergent writer, from a low-socio economic background John has worked hard to establish himself in the arts overcoming many barriers.
Full Rules: Please Read Carefully
- Your entry should be an unpublished, original story on any theme of up to 2000 words. A story has been previously published if it has been on an internet site or in an independent publication.
- Do not put your name or any other identifying information on your story (including in headers/footers). It must have a suitable title, which should be both appropriate and interesting.
- There is no set theme or style for the competition.
- Entries in English, please (dialect is allowed).
- You DO NOT need an entry form. Send us a separate cover sheet with each story’s title and word count. You MUST include your name, postal address, telephone number and e-mail address. If you don’t, we can’t let you know if you have won a prize.
- For internet entries: Put the above cover sheet details in the body of the email. Include PayPal ref. number OR put the names of all entered stories in the Comments box on PayPal when paying.
- Please use basic formatting in your files. Any sidebars, headers, footers, inset images, illegible fonts or unusual layouts may result in your electronic entry being rejected.
- Submissions should be in any of .doc, .docx, rich text or .odf file types ONLY when attaching your entry file(s) to the email. Please do not use .pages or .pdf files unless you have no other alternative.
- No individual correspondence will be entered into regarding receipt of works/payments. Please do not send any material to confirm delivery, or use Recorded Delivery. Please ensure you attach correct postage and use correct stamps (see Royal Mail information https://www.royalmail.com/sending/barcoded-stamps). Southport Writers’ Circle will not be able to retrieve mail held at the Sorting Office for want of correct postage.
- Once your entry has been submitted, any entrant contacting the judges for any reason that is deemed to be an attempt to circumvent the judging process is likely to be disqualified.
- If entering by post, please include an SAE if you wish to receive a print of the results/judges report (if available) when the competition is finished. For email entries, please note clearly in the body of the email “I would like to receive a copy of the results”
- Winners will be informed in Dec 2023/ Jan 2024, results will be published on this site thereafter. There may be a delay publishing results and/or winning stories depending on circumstances and permissions. We will have an Awards Evening where winning entries are read out, and successful writers will be invited to join (and can attend virtually if desired).
- Winning stories may be published on this site for 12 months with permission of original author(s).
- The organiser’s decision is final.
- Optional – Paper saving single-spaced entries encouraged.
- The fee is £3 for each story, or £10 for 4
- (electronic entries have an additional processing fee.). Postal entries must be accompanied by cheque or postal order for the correct amount, made out to Southport Writers’ Circle.
Send postal entries to:
SWC Short Story Competition
5 Carrwood Park
Southport,
Merseyside,
PR8 5FA
Does the author still own the story? Are autobiographies acceptable?
Hi David, yes, the author still retains all rights to their work. We keep the contact sheets to identify the anonymised stories.
We have accepted some forms of biography in the past but be wary that the content still needs to qualify as a ‘story’ rather than an anecdote.
Hope this helps.