Poetry Adjudication 2018

On the 21st of June we are welcoming noted poet, Alison Chisholm to dispense her literary wisdom on our Annual Poetry Competition 2018 adjudication evening, where we will find out the winners and listen to some prize-winning poetry. All welcome.

Voices Workshop – 26th April

On the 26th we are having a session of thought and craft as our speakers Dennis Conlon and Sean Heslin lead us through talks and activities, as we explore the concepts of Developing Character Voice and Developing Authorial Voice.

It is a free event, though donations are encouraged. Any level of writing ability is welcome and we invite anyone who has an interest to come along and enjoy an evening of expanding writing concepts in unexpected directions.

Annual Events 2018/9

Calendar will be updated as and when required

2018
March
22nd
23rd Poetry Workshop @ Fables Fest @ Edge Hill University
29th Last day for subs! Also EGM and Guest Speaker Bob Stone
April
5th
12th
19th
26th ‘Voice’ Workshop with Dennis Conlon and Sean Heslin
30th Final Submissions for Poetry Competition
May
3rd
10th
12th ¬†¬†Southport Festival ‚Äď Creative Workshop, Atkinson 11am
17th
24th
31st Joan Nicholson Award Judging – Bob Stone
June
7th
14th No meeting! Charity event at Reuters from 7.30pm
21st  Poetry Competition Adjudication by Alison Chisholm
28th
July
5th
12th
19th
26th
August
2nd
9th
16th
23rd
30th
September
6th
13th
20th
27th
October
4th
11th
18th
25th
31st Final submissions for Short Story competition
November
1st
8th
15th
22nd
29th
December
6th
13th
20th Xmas Readings and Last meeting of 2018
2019
January
10th First meeting of 2019
17th
24th
31st
February
7th
14th
21st
28th
March
7th
14th
21st
28th Last day for annual subs

Fables Fest @ Edge Hill – 23rd March

On the 23rd March (a Friday) we will be delighted to be taking part in the inaugural Fables Fest, a gathering of literary types from all over the North for a day of discussions and wordy enjoyment.

We will be doing an hour long poetry workshop at 11am, and everyone is more than welcome to come down and see what is happening.

SWC Annual International Poetry Competition 2018

Online entries CLICK HERE

First Prize: £150, Second Prize: £75, Third Prize: £25

(In addition: £25 Humour Prize)

Chief Judge: Alison ChisholmAlison

Alison has written 11 poetry collections and had her work broadcast on both TV and radio. She lives in Southport and has been teaching poetry and creative writing for over 30 years. She has written courses for the Merseyside and North West Open College boards, as well as running workshops across the UK, including at Swanwick, NAWG Festival of Writing, The Writers’ Holiday, Fishguard, The Writers’ Summer School, and Relax and Write weekends. Currently, Alison works as a poetry consultant and regularly contributes to Writing Magazine.

RULES: Please read carefully

  • Poems should bear¬†no¬†identification of the poet.¬†¬†Humour¬†entries should be marked with an ‚ÄėH‚Äô. Humour entrants are¬†not¬†disqualified from winning main prizes.
  • Please enclose a¬†separate¬†A4 sheet of paper with your full contact details (address, email, phone number) and list of titles submitted. For online entries, this information is allowable in the body of the email.
  • All entries must be typed on A4 paper, in English (dialects allowable), and must be the¬†original, unpublished¬†work of the entrant.
  • For internet entries, please include PayPal ref. number in body of email OR put the story(ies) names in the comments (add info) box when paying. Also please use¬†basic¬†formatting in any of .doc, .docx, rich text (.rtf) or .odf file types when attaching your file to the email. Any .pdfs, sidebars, headers, footers or unusual layouts may result in your electronic entry being rejected.
  • Each entry should be accompanied by the appropriate fee of¬†¬£3 per poem¬†or¬†four poems for ¬£10. Cheques/Postal orders should be in sterling and payable to: SOUTHPORT WRITERS‚Äô CIRCLE.
  • A maximum of 40 lines per poem is allowed.
  • The closing date for entries will be 30th April 2018. Winners will be informed in June, general availability of results thereafter.
  • Please keep a copy of your poem(s) as manuscripts cannot be returned.
  • The adjudicator‚Äôs decisions are final and¬†no¬†correspondence will be entered into regarding receipt of individual entries or payments.
  • If you would like a copy of adjudicator‚Äôs report (if available), please include an SAE for paper entries, or for online entries please state you wish to have the results in the body of the email.
  • No¬†application form is required.

Envelopes should be sent to:-

Southport Writers’ Circle Poetry Competition

Poetry Competition

60 Dinorwic Rd,

Southport,

Merseyside,

PR8 4DL

Please DO NOT send entries by recorded delivery or send any other confirming material such as return postcards.

Online entries CLICK HERE

Short Story 2017 Results

For Winning Stories Click Here

Organisers Report

This year‚Äôs standard of entries was just as high as previous ones and our shortlisting team had real trouble filtering out the best for Joanne to peruse. The most common theme this year was ‚ÄėDivorce‚Äô which was a new one for us, but the perennial ‚ÄėGhost story‚Äô showed its face more than a few times in the literary mix. Globally, entrants were fairly spread out, with France, Spain and New Zealand being represented this year and also a small story from the Isle of Skye.

Every entry though had a different idea as to what was a good story and many of them were exactly that, however, as ever, the massed ranks of creativity were whittled away to leave us with but a scant handful of winners. Well done to them and to everyone else who entered.

Those who did not make the cut, we encourage you to keep trying, as one day it could be you on that ethereal winner’s podium claiming a prize for your excellent writing.

 

Judges Report ‚Äď Joanne Reardon

First Prize: Giving Him Back ‚Äď Valerie Bowes

Understated and assured writing which pulls the reader into a world where nothing is quite as it seems.  Three children spending an unremarkable day at the beach building sandcastles and playing football are disturbed by a young child who has wandered into their space.  When the eldest child, Mara, tries to return him to his family she finds that this simple task is not as easy as she imagines.  This is a gentle ghost story just strange enough to undermine our expectations but familiar enough to imagine ourselves in the same predicament. It does what all good short stories do and captures a whole lifetime in an instant and although the reader has to work to get to the final twist in the story, the trouble is worth it. The writer creates an engaging and believable world full of longing and regret.

Second Prize: Hara-kiri       РRichard Stephenson                         

Another story where a familiar world becomes something completely unexpected and the reader is shaken out of complacency into a world altogether darker and more unsettling. The writer paces the narrative with care starting by establishing the familiar banality of office life where spreadsheets and data are analysed in detail and where one badly misjudged decision can bring down a corporation. So far, so familiar, but our sense of equilibrium is challenged by events in the story and the elegance of Japanese ritual combines with British stiff upper lip to take a dark turn, which lingers in the reader’s mind long after the story has ended.

Third Prize: Old ‚Äď Marcia Woolf¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬† ¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†

This was a moving story where moment by moment emotions find themselves poised on a knife’s edge as though one wrong word or move could break the carefully wrought tension.  This matches the content and tone of the story which takes place in the aftermath of a funeral where long held secrets remain stubbornly unresolved. Despite the final confrontation between mother and son being a little too predictable which tends to lessen the tension overall, the story nevertheless has credibility and honesty which would easily connect with a reader.

Highly Commended: Stranger, Stranger ‚Äď Robert Kibble¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†¬†

Nothing is quite as it seems in this story where a parent’s worst nightmare is realised as a child disappears in the London Underground.  There are some good narrative decisions here Рthe first person narrative voice creates genuine warmth and honesty and the use of the immediate present holds the reader in the grip of the narrator’s fears. Bringing in a second first person narrative does slightly undermine the control of the narrative, it being hard to convince of two personal stories in such a short space of time, but genuine promise in the writing here all the same.

Commended:

If Walls Could Talk ‚Äď Pamela Trudie Hodge,

Parka Billy ‚Äď Juliet Hill

New Year’s & Beginners Night

On the 18th January we are holding a gentle evening of encouragement for those who have promised themselves that they would write more this year, with activities designed to stimulate in a friendly and relaxed atmosphere.

It will be at our usual venue of Parenting 2000 at 8pm.

Activities so far include:

Quick Plot

Story Essentials

Simple Poem

Making a Character Breathe

Expressing Emotion

Short Story Update

Hello writers! Just to let you know that the Short Story 2017 is in it’s final stages of judging, however the winning announcement is being postponed till January.

General public availability of results will be after the Awards Ceremony on 25th Jan, but main winners will be informed sooner than that so we can sort out prizes and so on.

Watch this space…